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fix-glossary.patch
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File fix-glossary.patch of Package fontforge.13173
From 558aa0418f20f411c58997aaa4fdbe5fcab07fd9 Mon Sep 17 00:00:00 2001 From: Jeremy Tan <jtanx@outlook.com> Date: Sat, 18 Apr 2020 11:42:24 +1000 Subject: Fix sphinx terms and disable appveyor spam See also sphinx-doc/sphinx#7418 --- doc/sphinx/glossary.rst | 78 ++++++++++++++++++++--------------------- 2 files changed, 44 insertions(+), 44 deletions(-) diff --git a/doc/sphinx/glossary.rst b/doc/sphinx/glossary.rst index 9a9f4f8630..b53ed2369e 100644 --- a/doc/sphinx/glossary.rst +++ b/doc/sphinx/glossary.rst @@ -23,13 +23,13 @@ Typographical glossary Both Hebrew and Arabic have optional vowel marks and are called "impure" abjads. Ancient Phoenician had nothing but consonants and is a "pure" abjad. - See Also: :term:`alphabet`, - :term:`abugida`, :term:`syllabary` and + See Also: :term:`Alphabet`, + :term:`Abugida`, :term:`Syllabary` and the relevant `Wikipedia article <http://en.wikipedia.org/wiki/Abjad>`__. Abugida - An abugida is somewhere in between an :term:`alphabet` and - a :term:`syllabary`. The Indic writing systems are + An abugida is somewhere in between an :term:`alphabet <Alphabet>` and + a :term:`syllabary <Syllabary>`. The Indic writing systems are probably the best known abugidas. In most abugidas there are independant glyphs for the consonants, and each @@ -45,8 +45,8 @@ Typographical glossary An abugida differs from an abjad in that vowels (other than the default) must be marked in the abugida. - See Also: :term:`alphabet`, :term:`abjad`, - :term:`syllabary` and the relevant + See Also: :term:`Alphabet`, :term:`Abjad`, + :term:`Syllabary` and the relevant `Wikipedia article <http://en.wikipedia.org/wiki/Abugida>`__. Advance Width @@ -62,8 +62,8 @@ Typographical glossary vowels alike -- and (in theory anyway) all phonemes in a word will be marked by an appropriate glyph. - See Also: :term:`abjad`, :term:`abugida`, - :term:`syllabary` and the relevant + See Also: :term:`Abjad`, :term:`Abugida`, + :term:`Syllabary` and the relevant `Wikipedia article <http://en.wikipedia.org/wiki/Alphabet>`__. Apple Advanced Typography @@ -83,7 +83,7 @@ Typographical glossary Ascent In traditional typography the ascent of a font was the distance from the top - of a block of type to the :term:`baseline`. + of a block of type to the :term:`baseline <Baseline>`. Its precise meaning in modern typography seems to vary with different definers. @@ -127,7 +127,7 @@ Typographical glossary Black letter Any of various type families based on medieval handwriting. - See also :term:`gothic`. + See also :term:`Gothic`. BMP Basic Multilingual Plane @@ -142,13 +142,13 @@ Typographical glossary (0xE0000-0xEFFFF) Bold - A common font :term:`style`. The stems of the glyphs are + A common font :term:`style <Style>`. The stems of the glyphs are wider than in the normal font, giving the letters a darker impression. Bold is one of the few :term:`LGC` styles that translate readily to other scripts. Bopomofo - A (modern~1911) Chinese (Mandarin) :term:`alphabet` used + A (modern~1911) Chinese (Mandarin) :term:`alphabet <Alphabet>` used to provide phonetic transliteration of Han ideographs in dictionaries. Boustrophedon @@ -158,7 +158,7 @@ Typographical glossary Writing "as the ox plows", that is alternating between left to right and right to left writing directions. Early alphabets (Old Canaanite, and the very early greek writings (and, surprisingly, - :term:`fuþark`)) used this. Often the right to left glyphs + :term:`Fuþark`)) used this. Often the right to left glyphs would be mirrors of the left to right ones. As far as I know, no modern writing system uses this method (nor does OpenType have any support for it). See Also :term:`Bidi`. @@ -181,7 +181,7 @@ Typographical glossary Character A character is a Platonic ideal reified into at least one - :term:`glyph`. For example the letter "s" is a character + :term:`glyph <Glyph>`. For example the letter "s" is a character which is reified into several different glyphs: "S", "s", "*s*", long-s, etc. Note that these glyphs can look fairly different from each other, however although the glyph for an integral sign might be the same as the long-s @@ -232,7 +232,7 @@ Typographical glossary Descent In traditional typography the descent of a font was the distance from the - bottom of a block of type to the :term:`baseline`. + bottom of a block of type to the :term:`baseline <Baseline>`. Its precise meaning in modern typography seems to vary with different definers. @@ -248,7 +248,7 @@ Typographical glossary :ref:`anchored marks <anchorcontrol.DeviceTable>`. Didot point - The European :term:`point`. 62 :sup:`2`/:small:`3` points per + The European :term:`point <Point>`. 62 :sup:`2`/:small:`3` points per 23.566mm ( 2.66pt/mm or 67.55pt/inch ). There is also a "metric" didiot point: .4mm. @@ -275,7 +275,7 @@ Typographical glossary Encoding An encoding is a mapping from a set of bytes onto a - :term:`character set`. It is what determines which + :term:`character set <Character set>`. It is what determines which byte sequence represents which character. The words "encoding" and "character set" are often used synonymously. The specification for ASCII specifies both a character set and an encoding. But CJK character sets often have multiple @@ -293,7 +293,7 @@ Typographical glossary two sounds associated with it, but it does, see also :term:`Thorn`) - Even-Odd Fill rule + Even-Odd Fill Rule To determine if a pixel should be :ref:`filled using this rule <editexample2.even-odd-non-zero>`, draw a line from the pixel to infinity (in any direction) then count the number of times contours @@ -332,7 +332,7 @@ Typographical glossary Font A collection of :term:`glyphs <Glyph>`, generally with at least one glyph associated with each character in the font's - :term:`character set`, often with an encoding. + :term:`character set <Character set>`, often with an encoding. A font contains much of the information needed to turn a sequence of bytes into a set of pictures representing the characters specified by those bytes. @@ -342,8 +342,8 @@ Typographical glossary different font for each point-size. Font Family, or just Family - A collection of related :term:`font`\ s. Often including plain, - italic and bold :term:`style`\ s. + A collection of related :term:`font <Font>`\ s. Often including plain, + italic and bold :term:`style <Style>`\ s. FontForge This. @@ -356,7 +356,7 @@ Typographical glossary Fractur The old black letter writing style used in Germany up until world war II. - See also :term:`gothic`. + See also :term:`Gothic`. Fuþark Futhark @@ -430,7 +430,7 @@ Typographical glossary China. Hangul - The Korean :term:`syllabary`. The only syllabary (that + The Korean :term:`Syllabary`. The only syllabary (that I'm aware of anway) based on an alphabet -- the letters of the alphabet never appear alone, but only as groups of two or three making up a syllable. @@ -439,11 +439,11 @@ Typographical glossary Hints These are described in detail in :ref:`the main manual <overview.Hints>`. - They help the rasterizer to draw a :term:`glyph` well at + They help the rasterizer to draw a :term:`glyph <Glyph>` well at small pointsizes. Hint Masks - At any given point on a contour :term:`hints` may not + At any given point on a contour :term:`hints <Hints>` may not :term:`conflict <Conflicting hints>`. However different points in a glyph may need conflicting hints. So every now and then a contour will change which hints are active. Each list of active hints is called a hint mask. @@ -457,7 +457,7 @@ Typographical glossary Generally used to mean Han (Chinese) characters. Italic - A slanted :term:`style` of a font, generally used for + A slanted :term:`style <Style>` of a font, generally used for emphasis. Italic differs from :term:`Oblique` in that the @@ -498,7 +498,7 @@ Typographical glossary to it. Kern pair - A pair of glyphs for which :term:`kerning` information has + A pair of glyphs for which :term:`kerning <Kerning>` information has been specified. Kerning by classes @@ -541,9 +541,9 @@ Typographical glossary Manyogana An early Japanese script, ancestral to both - :term:`hiragana` and :term:`katakana`. + :term:`Hiragana` and :term:`Katakana`. `Manyogana <http://en.wikipedia.org/wiki/Manyogana>`__ used - :term:`kanji` for their phontic sounds, and over the years + :term:`Kanji` for their phontic sounds, and over the years these kanji were simplified into hiragana and katahana. Metal Type @@ -622,7 +622,7 @@ Typographical glossary :doc:`here for the tables used by FontForge </techref/TrueOpenTables>`. Oblique - A slanted :term:`style` of a font, generally used for + A slanted :term:`style <Style>` of a font, generally used for emphasis. Oblique differs from :term:`Italic` in that the @@ -695,7 +695,7 @@ Typographical glossary `See Caslon's type specimen sheet on Wikipedia. <http://en.wikipedia.org/wiki/Alphabet>`__ Pica point - The Anglo-American :term:`point`. With 72.27 points per inch + The Anglo-American :term:`point <Point>`. With 72.27 points per inch ( 2.85pt /mm ). Point @@ -708,7 +708,7 @@ Typographical glossary points per inch, 2.86pt/mm). The didiot and pica points were so arranged that text at a given point-size - would have approximately the same :term:`cap-height` in + would have approximately the same :term:`cap-height <Cap-height>` in both systems, the didot point would have extra white-space above the capitals to contain the accents present in most non-English Latin based scripts. @@ -757,7 +757,7 @@ Typographical glossary again only allows a 1 byte encoding, but the OpenType wrapper extends this to provide more complex encoding types. * Type 3 -- This format allows full postscript within the font, but it means - that no :term:`hints` are allowed, so these fonts will not + that no :term:`hints <Hints>` are allowed, so these fonts will not look as nice at small point-sizes. Also most (screen) rasterizers are incapable of dealing with them. A type 3 font is limited to a one byte encoding (ie. only 256 glyphs may be encoded). @@ -922,13 +922,13 @@ Typographical glossary Style There are various conventional variants of a font. In probably any writing system the thickness of the stems of the glyphs may be varied, this is called - the :term:`weight` of a font. Common weights are normal and + the :term:`weight <Weight>` of a font. Common weights are normal and bold. - In :term:`LGC` alphabets an :term:`italic` (or - :term:`oblique`) style has arisen and is used for emphasis. + In :term:`LGC` alphabets an :term:`italic <Italic>` (or + :term:`oblique <Oblique>`) style has arisen and is used for emphasis. - Fonts are often compressed into a :term:`condensed` + Fonts are often compressed into a :term:`condensed <Condensed>` style, or expanded out into an :term:`extended style <Extended>`. Various other styles are in occasional use: underline, overstrike, outline, @@ -945,7 +945,7 @@ Typographical glossary tend to be bigger than alphabets (Japanese KataKana requires about 60 different characters, while the Korean Hangul requires tens of thousands). - See Also: :term:`abjad`, :term:`abugida`, :term:`alphabet` and the relevant + See Also: :term:`Abjad`, :term:`Abugida`, :term:`Alphabet` and the relevant `Wikipedia article <http://en.wikipedia.org/wiki/S%20yllabary>`__. TeX @@ -1061,7 +1061,7 @@ Typographical glossary Width This is a slightly ambiguous term and is sometimes used to mean the - :term:`advance width` (the distance from the start of + :term:`advance width <Advance Width>` (the distance from the start of this glyph to the start of the next glyph), and sometimes used to mean the distance from the left side bearing to the right side bearing.
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