Geologica is grounded in the humanist genre, but leans assertively into geometric, constructed letterforms to find its stability. The wide stance, generous spacing, large apertures and even colour makes Geologica a serious text typeface. The stylistic “Sharpness” axis adds a rational interpretation of calligraphic pen strokes – a modernist echo of the roots of writing.

The default style of the Geologica typeface is a sober humanist sans serif with a rational finish. The terminals are perpendicular to the direction of the pen stroke, emphasising the monolinearity of the letterforms. The alternate “Sharp” styles introduces details derived from writing with a broad-nib pen. Sharp points arise where the imagined pen is set to paper. These details are echoed in the Carthesian terminal treatment, causing curved shapes to form sharp inner points as they terminate.

Geologica uses the power of the OpenType Variable Font format to simultaneously morph between Light and Black weights, Upright and Oblique, and stylistic variants. This gives an incredibly rich typographic palette, making Geologica a typeface of great versatility.

Literata is designed by TypeTogether. It was commisioned for Google Play Books. Two versions of the family exist, one for print and the other for Ebooks. This is the print version of the family.

Playfair is a general purpose Open Source typeface family.

Open-source font by Jovanny Lemonad

In 2005, Scada was designed as the corporate identity font for the Latvian design studio Scada.lv. In 2011 the design studio decided to make Scada a libre font. Over 6 months the font was reworked, improved and expanded into a family. It has a modern style, specifically designed for small sizes.

The official typeface of Finland designed by Helsinki Type Studio. In the spirit of the Finnish “Jokamiehenoikeus” this typeface is Open Source. The strong and compressed shapes embody a traditional virtue in Finnish culture: honest and resilient determination – “Sisu”.
Ink traps like cuts from a blunt ax, makes the typeface reliable in small sizes and gives it character in large headlines. Like the Finnhorse it’s a breed suitable both as riding horse and workhorse. The typeface is part of a toolbox of assets for the promotion of Finland and commissioned by the Prime minister’s office and Business Finland.

Andada is a text font with an organic-slab serif, hybrid style, a solid design of medium stroke contrast.

Designed by Carolina Giovagnoli for Huerta Tipográfica.

Type system intended for optimizing the available space in press media and other publications. It has a compact appearance which allows for small font sizes and tight leading while achieving solid lines and robust paragraphs.

Piazzolla has a distinctive voice that conveys a personal style, especially in display sizes. It has great performance and readability in small point sizes and long texts, both for screen and printing.

Besley* is an original font created by indestructible type*. It is inspired by the designs of Robert Besley.

Bodoni* is an original font created by indestructible type*. It is inspired by the designs of Giambattista Bodoni.

Bodoni* is designed and maintained by Owen Earl, who is the creator of the font foundry indestructible type*.

Jost* is an original font created by indestructible type*. It is inspired by the 1920s German sans-serifs.

Jost* is designed and maintained by Owen Earl, who is the creator of the font foundry indestructible type*.

Inter is a typeface specially designed for user interfaces with focus on high
legibility of small-to-medium sized text on computer screens.

Iosevka is an open-source, sans-serif + slab-serif, monospace + quasi‑proportional typeface family, designed for writing code, using in terminals, and preparing technical documents.

Kurinto is a large collection of free fonts that include most of the characters in every human language. Academic publishing is an ideal use, especially if you use Microsoft Word to publish PDF documents or include text in non-European languages.

Kurinto fonts address many publishing pitfalls: costly fonts with publishing restrictions, irregular line heights, random font changes, enormous PDF file sizes, missing characters, spurious layout changes, and font format incompatibility. These roadblocks prevent many authors from creating presentable (or even usable) PDF files.

Kurinto helps authors publish their work without studying font technology or using advanced typographic techniques.

Newt Serif is a soft, friendly serif font that has been described as appearing to have been “drawn by the light of mystic moons.” It did take many moons to finish (being my first finished font), so maybe some of them were mystic.

Newt Serif has a strong calligraphic bent and a healthy dose of whimsy. The italics are of a freer spirit than the romans, and include a few intriguingly shaped letters (for example: E, g, s, and y). While the font is light-hearted, it’s still a fairly “typographically-minded” serif, comfortable enough for longer passages of text.

Solveig is a stressed sans that draws inspiration from calligraphy and classic inscriptions. Its ascenders and descenders are long and expressive; in place of finials, its terminals taper to points. It is well suited for display, but remains very readable at smaller sizes in longer passages.

Solveig is named after Edvard Grieg’s “Solveig’s Song,” a quiet piece of concentrated, chilled emotion that accompanied me through the entire design process.

Walleye is an original serif font suitable for setting longer texts. Its long, banner-shaped finials and its airy letterforms give it character and an open texture on the page. Walleye has four styles: regular, italic, bold, and bold italic.

Walleye is a multilingual font. It includes the Latin, (Polytonic) Greek, and Cyrillic alphabets, and has meticulous coverage of the character sets of a broad variety of languages, including almost all spoken in Europe. It also has many OpenType features, including small caps for all supported languages, old-style figures, and highly developed typesetting options for Ancient Greek.

Manrope font is an open-source modern sans-serif font family. Designed by Michael Sharanda in 2018.

Lilex is the modern programming font containing a set of ligatures for common programming multi-character combinations.

Archivo Black was designed by Héctor Gatti to be used simultaneously in print and digital platforms. The technical and aesthetic characteristics of the font are both crafted for high performance typography. Archivo Black is a grotesque sans serif typeface family originally designed for highlights and headlines. This family is reminiscent of late nineteenth century American typefaces. It includes Archivo and Archivo Narrow styles, and was derived from Chivo.

Archivo was designed to be used simultaneously in print and digital platforms. The technical and aesthetic characteristics of the font are both crafted for high performance typography. It was designed by Héctor Gatti to be used simultaneously in print and online platforms and supports over 200 world languages. Archivo is a grotesque sans serif typeface family from Omnibus-Type. It was originally designed for highlights and headlines. This family is reminiscent of late nineteenth century American typefaces. It includes single Black weight and Narrow styles, and was derived from Chivo.

Archivo Narrow was designed by Héctor Gatti to be used simultaneously in print and digital platforms. The technical and aesthetic characteristics of the font are both crafted for high performance typography. Archivo is a grotesque sans serif typeface family from Omnibus-Type. It was originally designed for highlights and headlines. This family is reminiscent of late nineteenth century American typefaces. It includes Archivo and Archivo Black styles, and was derived from Chivo. Updated December 2012 to fix encoding tables and index (Thanks Theunis de Jong for his technical input.)

Asap Condensed is the condensed version of the Asap family. Its a contemporary sans-serif family with subtle rounded corners. Designed by Pablo Cosgaya and Nicolás Silva, Asap (“as soon as possible”) has 8 styles: Regular, Medium, Semibold, Bold and its italics. This family, specially developed for screen and desktop use, offers a standarised character width on all styles, which means lines of text remain the same length. This useful feature allows users to change type styles on-the-go without reflowing a text body. Asap is based on Ancha (designed by Pablo Cosgaya and Hector Gatti), and has been developed with the collaboration of Andrés Torresi.

Asap is a contemporary sans-serif family with subtle rounded corners. Designed by Pablo Cosgaya, Asap (“as soon as possible”) has 8 styles: Regular, Medium, Semibold, Bold and its italics. This family, specially developed for screen and desktop use, offers a standarised character width on all styles, which means lines of text remain the same length. This useful feature allows users to change type styles on-the-go without reflowing a text body. Asap is based on Ancha (designed by Pablo Cosgaya and Héctor Gatti), and has been developed with the collaboration of Andrés Torresi.

Asap Symbol is a libre icon-font produced as a pictographic complement for Asap
Family. It has a comprehensive set of more than 150 icons, covering contexts of
education, public spaces, health, tourism and transport. To learn more about
how-to-use this icon-font download its Free Character Map.

Chivo (‘goat’ in Spanish) is the first Omnibus-Type neo-grotesque typeface family. It has 7 weight variants, plus matching italics. Its solidness and balanced strokes give Chivo both elegance and practicality. Chivo Regular works perfectly in long-reading texts, while Chivo Black is ideal for headlines, banners and highlights. Developed by Héctor Gatti, this is an indispensable ally for any designer.