Type system intended for optimizing the available space in press media and other publications. It has a compact appearance which allows for small font sizes and tight leading while achieving solid lines and robust paragraphs.

Piazzolla has a distinctive voice that conveys a personal style, especially in display sizes. It has great performance and readability in small point sizes and long texts, both for screen and printing.

Besley* is an original font created by indestructible type*. It is inspired by the designs of Robert Besley.

Bodoni* is an original font created by indestructible type*. It is inspired by the designs of Giambattista Bodoni.

Bodoni* is designed and maintained by Owen Earl, who is the creator of the font foundry indestructible type*.

Jost* is an original font created by indestructible type*. It is inspired by the 1920s German sans-serifs.

Jost* is designed and maintained by Owen Earl, who is the creator of the font foundry indestructible type*.

Inter is a typeface specially designed for user interfaces with focus on high
legibility of small-to-medium sized text on computer screens.

Iosevka is an open-source, sans-serif + slab-serif, monospace + quasi‑proportional typeface family, designed for writing code, using in terminals, and preparing technical documents.

Kurinto is a large collection of free fonts that include most of the characters in every human language. Academic publishing is an ideal use, especially if you use Microsoft Word to publish PDF documents or include text in non-European languages.

Kurinto fonts address many publishing pitfalls: costly fonts with publishing restrictions, irregular line heights, random font changes, enormous PDF file sizes, missing characters, spurious layout changes, and font format incompatibility. These roadblocks prevent many authors from creating presentable (or even usable) PDF files.

Kurinto helps authors publish their work without studying font technology or using advanced typographic techniques.

Newt Serif is a soft, friendly serif font that has been described as appearing to have been “drawn by the light of mystic moons.” It did take many moons to finish (being my first finished font), so maybe some of them were mystic.

Newt Serif has a strong calligraphic bent and a healthy dose of whimsy. The italics are of a freer spirit than the romans, and include a few intriguingly shaped letters (for example: E, g, s, and y). While the font is light-hearted, it’s still a fairly “typographically-minded” serif, comfortable enough for longer passages of text.

Solveig is a stressed sans that draws inspiration from calligraphy and classic inscriptions. Its ascenders and descenders are long and expressive; in place of finials, its terminals taper to points. It is well suited for display, but remains very readable at smaller sizes in longer passages.

Solveig is named after Edvard Grieg’s “Solveig’s Song,” a quiet piece of concentrated, chilled emotion that accompanied me through the entire design process.

Walleye is an original serif font suitable for setting longer texts. Its long, banner-shaped finials and its airy letterforms give it character and an open texture on the page. Walleye has four styles: regular, italic, bold, and bold italic.

Walleye is a multilingual font. It includes the Latin, (Polytonic) Greek, and Cyrillic alphabets, and has meticulous coverage of the character sets of a broad variety of languages, including almost all spoken in Europe. It also has many OpenType features, including small caps for all supported languages, old-style figures, and highly developed typesetting options for Ancient Greek.

Manrope font is an open-source modern sans-serif font family. Designed by Michael Sharanda in 2018.

Lilex is the modern programming font containing a set of ligatures for common programming multi-character combinations.

Archivo Black was designed by Héctor Gatti to be used simultaneously in print and digital platforms. The technical and aesthetic characteristics of the font are both crafted for high performance typography. Archivo Black is a grotesque sans serif typeface family originally designed for highlights and headlines. This family is reminiscent of late nineteenth century American typefaces. It includes Archivo and Archivo Narrow styles, and was derived from Chivo.

Archivo was designed to be used simultaneously in print and digital platforms. The technical and aesthetic characteristics of the font are both crafted for high performance typography. It was designed by Héctor Gatti to be used simultaneously in print and online platforms and supports over 200 world languages. Archivo is a grotesque sans serif typeface family from Omnibus-Type. It was originally designed for highlights and headlines. This family is reminiscent of late nineteenth century American typefaces. It includes single Black weight and Narrow styles, and was derived from Chivo.

Archivo Narrow was designed by Héctor Gatti to be used simultaneously in print and digital platforms. The technical and aesthetic characteristics of the font are both crafted for high performance typography. Archivo is a grotesque sans serif typeface family from Omnibus-Type. It was originally designed for highlights and headlines. This family is reminiscent of late nineteenth century American typefaces. It includes Archivo and Archivo Black styles, and was derived from Chivo. Updated December 2012 to fix encoding tables and index (Thanks Theunis de Jong for his technical input.)

Asap Condensed is the condensed version of the Asap family. Its a contemporary sans-serif family with subtle rounded corners. Designed by Pablo Cosgaya and Nicolás Silva, Asap (“as soon as possible”) has 8 styles: Regular, Medium, Semibold, Bold and its italics. This family, specially developed for screen and desktop use, offers a standarised character width on all styles, which means lines of text remain the same length. This useful feature allows users to change type styles on-the-go without reflowing a text body. Asap is based on Ancha (designed by Pablo Cosgaya and Hector Gatti), and has been developed with the collaboration of Andrés Torresi.

Asap is a contemporary sans-serif family with subtle rounded corners. Designed by Pablo Cosgaya, Asap (“as soon as possible”) has 8 styles: Regular, Medium, Semibold, Bold and its italics. This family, specially developed for screen and desktop use, offers a standarised character width on all styles, which means lines of text remain the same length. This useful feature allows users to change type styles on-the-go without reflowing a text body. Asap is based on Ancha (designed by Pablo Cosgaya and Héctor Gatti), and has been developed with the collaboration of Andrés Torresi.

Asap Symbol is a libre icon-font produced as a pictographic complement for Asap
Family. It has a comprehensive set of more than 150 icons, covering contexts of
education, public spaces, health, tourism and transport. To learn more about
how-to-use this icon-font download its Free Character Map.

Chivo (‘goat’ in Spanish) is the first Omnibus-Type neo-grotesque typeface family. It has 7 weight variants, plus matching italics. Its solidness and balanced strokes give Chivo both elegance and practicality. Chivo Regular works perfectly in long-reading texts, while Chivo Black is ideal for headlines, banners and highlights. Developed by Héctor Gatti, this is an indispensable ally for any designer.

Faustina was designed by Alfonso Garcia for editorial typography (books, newspapers and magazines) in print and online. Developed by Omnibus-Type Team there are 8 styles: Regular, Italic, Medium, Medium Italic, Semibold, Semibold Italic, Bold and Bold Italic. Faustina is a part of the collection Press Series.

Grenze is a big typeface system of 9 weights (Thin, Extra Light, Light, Regular, Medium, Semi Bold, Bold, Extra Bold and Black) with matching italics. A hybrid development between Roman and Blackletter styles, in search of combining the impact and attraction of texture with the readability of classical forms. Designed to be applied mainly in magazines, it presents great performance and a rich palette of colors that invites to uses creative applications. The name of this family derives from the word “frontier”.

Grenze Gotisch is a peculiar version of Grenze with 9 weights, now presenting Blackletter uppercase letters and little dramatic details in certain lowercase letters, which intensify its expressive burden. Designed by Renata Polastri and Omnibus-Type Team.

Jaldi is a libre Devanagari typeface family designed as a complement to Asap* (“As Soon As Possible”). Jaldi is a contemporary sans-serif non-modular Devanagari family with subtle rounded corners designed by Nicolás Silva and Pablo Cosgaya. It comes in two weights (Regular and Bold) and was specially developed for screen as a webfont and desktop font, too. It offers a standardised character width on all styles, which means that the lines of text remain the same length. This useful feature allows users to change type styles on-the-go without reflowing the text body. The Latin version of Jaldi was based on Ancha (designed by Pablo Cosgaya & Héctor Gatti) and was developed with the collaboration of the Omnibus-Type team.

Labrada is a typeface family designed by Mercedes Jáuregui that expresses the communicative richness of the conversations and discourses of the indigenous cultures of oral tradition, at the same time that it dialogues with the classic forms to function in immersive reading texts. This project began in the Master of Typeface Design, MT-UBA, at the Universidad of Buenos Aires, Argentina.

Leluja Original is a typeface family with 4 weights: Regular, Italic, Bold and Bold Italic. This project was developed by Andrea Kulpas and Omnibus-Type, a Brazil/Argentina partnership. Leluja Original is indicated for printed texts but also performs well in titles. The forms and counterforms of the font are inspired by the version polish for the art of cut paper the Wycinankies. One tradition that had its origin in tree bark and leather, still has explanations that were lost in past centuries, Wycinankies have long been made with colored paper glued to the furniture and roof beams as decoration, on the windows, or even on holiday cards such as Christmas, Easter and birthdays. Wycinankies vary between Kurpie regions, characterized by being monochromatic, while those of Lowicz are colorful, composed of several layers of paper.